Monday, August 9, 2010

L'Art Pour L'Skate: Skateboard Graphics And Design











By: Moujeck Cabales/Photos by: Moujeck Cabales and Crist Espiritu/Article 6 of 7

Due to the sparked interest in the skateboard subculture during the late 70s, quite a number of photojournalists like Craig Stecyk documented various groups of skaters, most notably the legendary Zephyr Skate Team from California. A fresh yet unusual quality of aesthetics can be seen in the photographs of skaters they took, where they exhibit ground and midair tricks. It somehow elevated skateboard into an art that's more than just an extreme sport; but the finer and deeper visual candy is in the wooden board, because it has become an artistic medium itself.

It is like mixing Salvador Dali, Andy Warhol and skateboard. Instead of canvas, oil and acrylic is applied on the skateboard deck. It is like putting a work of art on a nondescript block of wood, though with a much deeper notions of imagination. The sport’s embodiment of the punk and rowdy attitude are graphically expressed. When one flips about the street, people would be awed at how cool his skateboard is.

The Aesthetics Of Being Cool

Skateboard graphics, is using the wooden surface of the skateboard as an artistic medium. As art is expression, you put on wild, colorful images to cater in that rebellious and youthful attitude. From devils, skulls and dragons, to cute little monsters and modernist abstractions, board graphics has a wide selection of designs skaters can choose from. The designs are nothing anywhere near Picasso, Michelangelo or that high art stuff, but rather much like graffiti, pop art, underground comics, hot rod, etc. The highbrow Renaissance style wouldn’t fit on such medium.

California is where it all began. Because lowbrow art and the skateboard hype both originated from there, the former has become sort of visual symbol of the latter; and the latter a medium of the crude artistic movement. Yes, skateboard has its own art. In Sean Cliver's book Disposable: A History of Skateboard Art, the author portrayed board graphics made by hundreds of artists/skaters’ influenced by California life, punk culture and surreal fantasies. They were mostly self-taught painters and illustrators, including Sean Cliver himself, and yet produced a unique kind of aesthetic style in the West Coast. Colloquially termed ‘lowbrow’, art historians rather call it ‘pop surrealism’ or ‘post-modern surrealism’. Quite the new spawn of Max Ernsts, Joan Miros and Salvador Dalis.

Pinoy Lowbrow Artist

For the Filipino painter and skateboard graphics artist, Crist Espiritu, his own insights about the psychological aspects of our modern-day living are expressed in his art. Having his own style of pop surrealism, he refuses his skateboard art to look like ‘high art’ even though they are seemingly profound. A 28-year old Fine Arts graduate from Far Eastern University, Crist Espiritu is a resident artist of Hampaslupa Skateboarding, an all-Filipino board company. He designs skateboards with horrifying and out-of-this-world images. From the mind of the artist, these include dog-headed ladies, multi-eyed monsters and netherworldly human beings. Unlike most lowbrow painters who are practically self-taught, Espiritu went to an art school.

Because skateboard is seen as rowdy, punky, rugged and outcast, he says that its corresponding visual art is therefore what is perceived of the extreme sport. “When lowbrow started it was punk influence, sort of. They were rebellious., he said. Skateboarding then became in confluence with other such forms of low culture like rock music. When asked if he is rebellious, he laughed and answered yes when he was in his teens. But the adolescent angst mellowed out as he became more intense and passionate about his art.

Espiritu got hooked on skateboard during the late 90s, the time when the skate scene in Manila was at its peak. There were events and competitions here and there, and he was already learning some tricks and stunts. Like many skaters, punk and metal heads at their teenage years, his was full of angst and rebellion; which would profoundly influence his artistic style later on. Espiritu’s passion with art came in when he realized he didn’t like engineering at all, so he shifted to a fine arts program. His peers told him to give it a shot, because they saw he had a talent in drawing.

Aside from doing professional skateboard graphics, he also does paintings for several galleries within the Metro. Espiritu’s own style of pop surrealism is also carried on to the canvas and paper, like his lowbrow exemplaries ‘My Heart Pumps Neon Acrylic’ and ‘Fabulous Filth’. “I like Dali, Warhol, Basquiat, Robert Crumb and many more., he said when asked who his influences were. But when it comes to local artists, he admits doesn’t have much except for the surrealist Kiko Escora.

Aside from making art, Espiritu also plays his skateboard during free time. He is also a disc-jockey on some wild weekend nights. He believes that, in every artist, a certain degree of playfulness and child’s wonder must never be lost. “To be a good artist, kailangan hindi mawala yung childishness sa ‘yo (the childishness within you should never go away). That will keep things interesting and exciting., he said.


A Punk's Paradise








By: Moujeck Cabales/Photos by: Moujeck Cabales/Article 7 of 7
Quiapo isn’t only famous for Black Nazarene, Hidalgo Street and pirated goods. Well-known among rockers, skaters and punks, a nondescript building on Recto Avenue is also a marketplace for various subcultures. A hodgepodge of knick-knack vendors, every store teems with things that are far cry to the softy pop culture: from scary heavy metal shirts and piles of rock music records to skateboarding equipment. People adorned with black shirts, dreadlocks, tunneled ears and tattooed arms abound the place, and making it the underground mecca for such radical characters. The ‘old downtown’ isn’t just a photographers’ haven, but also a punk’s paradise.

Like everything in this building, Marlon Dajac’s store is a hodgepodge of subculture stuff. Loud rock music blare from the speakers, and the walls are displayed with band shirts such as Sex Pistols, The Ramones, AC/DC and Led Zeppelin. So-named ‘Monkey Man Shop’, its motley assortment ranges from punky accessories to vinyl records and cassette tapes of legendary rockers. He also sells rare and interesting things, from an old edition of ‘Das Kapital’ by Karl Marx and other dusty political books, to graffiti stickers riddled with anti-establishment slogans. Being an award-winning skater, he also has a wide selection of skateboard equipments to offer. If one is to observe Dajac’s shop, he would infer from this motley that the skateboarding is related with rock music and punk lifestyle.

Low ‘Kultur’

Most skaters would attest that skateboard is an outlet for individuality and creative expression, given it being a radical and unconventional sport. Because of its nature, it embodies a subculture of rowdy youthfulness, rebel attitude and urban lifestyle. Of that, it had been loosely associated with other individualistic and artistic interests that have the same image; such as rock music, punk lifestyle and lowbrow art. It is in confluence with low Kultur; which are contrary to higher forms such as classical music, high fashion and the fine arts.

And during the late 80s and early 90s, the ferment for such material culture came with the historic coming of the MTV or Music Television. The channel then aired hitherto 'unheard of' music genres (especially the angrier subgenres of rock music), promoted the lowbrow or avant-garde art in its station IDs and sponsored extreme sports competitions such as the X-Games. It went on to create a profound impact on the popular culture. With these images and sounds, the so-called 'MTV generation' carved their own identities. The hippies and beatniks of the past had been now replaced with skaters, rockers, punks and everything else. Dajac himself attested that the 90s were a great period of acculturation for him, given the onset of the strengthened influence of the culture industry. “Ay oo, konektado yan. Kasi di’ba yung ibang mga skaters nag-babanda din, kaya ayun. Tsaka parehas lang rin sila ng porma (Ah yes, they are connected. Isn’t it that some skaters are in a band? So there, and both have the same get-up)”, said the talented skater.

But like any other fads, they all fell out of trend as the next decades saw the upsurge of newer cultural products more palatable to the mainstream media consumers. Now there are fresher material culture for everyone to consume and live by; and the cultural industry is ever-changing. The rock music, punk fashion and skateboarding almost became unpleasant, unconventional and out-of-the-norm; relegated to be subcultures. But though they seemed to have gone on to the underground, they still have their faithful and passionate followers; all keeping their radical Kultur alive.

Skateboarders still play on their spots in the dark; and the real, anti-establishment, hardcore punks yet gather in hidden bars in Cubao. People clothed with black shirts, dreadlocks, tunneled ears and tattooed arms still abound the dirty alleys and noisy streets of Manila. Though the times are a’ changing, the old downtown Quiapo is still a punk’s paradise.


Thursday, August 5, 2010

This website is made by Moujeck Cabales, as a thesis fulfillment for De La Salle University's Bachelor of Arts in Communication Arts program. Photos not owned by the author have been given permission to be included, by their respective owners. All the rest of the articles and photos are ©moujeckcabales.

The author would like to thank the following: Tony 'Backside' Nicolas, Jeremiah Abilado, Christian Donaire, Jomar Lumaque, Brownie Gonzales and the KKK Skate Crew, the guy named Matt at the KKK Monument, Marlon Dajac and Edward aka 'Ompong' of MonkeyMan Shop, Bogart Revilla and the Marilag Skate Crew, Crist Espiritu, Rica Santos of Republ1c, Jack Nonato and the Hampaslupa Skateboarding, Ms. Ana Balita as my mentor, the De La Salle University Communication Arts Dept. and all the skaters (whose names I forgot) who have given me good advice and oral history of the skateboard subculture in Manila.